Producers will often hold remix contests as a way of promoting a new track. This can be a great opportunity to get in, grab the stems, tweak them and make them your own. You can find remix contests on label websites or head over to Indaba music. While more advanced, many producers create their own samples.
This gives them complete creative control. It also happens to be really fun once you get the hang of it. You can record your own foley, use a coin drop as a progressive element, or pick out some phrases on your acoustic guitar.
This will require some basic equipment, such as a condenser mic and an audio interface. There are tons of different sample sites. They all claim to provide you with amazing samples at reasonable prices. Which one should we use? These numbers can be wildly inaccurate but act as a good comparison between sites.
Source: Similarweb. You can start to branch out to the others if you feel you need a change. Splice is my personal favorite sample resource. I use it extensively. Additionally, they offer a few rent-to-own programs for popular synths and plugins Serum and Ozone 8 to be specific.
The best part about Splice is you get to pick and choose individual samples. Splice also organizes all your samples in a custom sample library where you can drag and drop files into your project. You get access to the sounds professional produces use in their projects. Members submit their original content to Looperman, allowing others to share and download them for free. Dozens of loops are uploaded to Looperman every day, and it has enough content in its library to last a lifetime.
That means that you can use the loops in any of your beats, even the ones you sell, and all you have to do is credit the author. The site makes it very easy to search the catalog, allowing you to sort loops by styles, categories, instruments, key and BPM. Overall, Looperman is a great option for Recreational Producers because it gives you an easy way to hunt for free samples without worrying about the copyright. Many of the samples have already been used by plenty of other producers.
This makes it easy for you because somebody else has already gone through the trouble of finding and digitizing the music. However, you can still use the samples you find to create your own beats, and challenge yourself to sample the music in a new way.
Discogs is an online database for music releases. You can use Discogs to find similar artists in the same sub-genre, or find related musicians and sound engineers that worked on the projects you like. Otherwise, you can search for the music online, or offline at record shops and thrift stores. With great samples comes great responsibility. Be sure you understand the usage terms for any content you use. If you have any questions about content usage for any of the resources I mentioned in this article, feel free to reach out to me.
Click here to receive the best samples and production tips each week, directly in your inbox. Get the best samples and production tips each week, directly in your inbox.
But before we talk about where to find samples, you need to consider your goals as a producer… The two types of sample hunters There are two types of sample hunters: Commercial Producers Recreational Producers Each type has different criteria for choosing sounds. It makes sense for them to purchase the highest quality samples. Recreational Producers The next type of producer strictly makes music for fun rather than to earn money. If you fit into this category, you should focus on low budget or free options.
The rest of this article will show you the best places to find samples based on your goals. Here we go… Where to find premium samples Of all the places to get samples, the best is from sample libraries. You also get access to a lot of benefits that you would otherwise miss out on. Sometimes the sample will include track stems or MIDI files for extra flexibility. Building an Audio Career. Other Issues. This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.
Accept Read More. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website.
These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience. Necessary Necessary. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website.
Also, the fades can help to tighten up the sounds and change them into something completely different. The slice mode allows you to trigger each slice on a different note, like a Drum Rack. The big brother if Simpler is the Sampler. We cover every aspect of Sampler, allowing you to use it to completely mangle and screw the original audio into completely new textures. Want to learn more about Ableton Live? Check out our beginners guide here.
Once again, you may want to customize your template based on your preferred workflow. To give you a general idea, it chops each sample into a region and each region has individual processing capabilities. One of these features is the articulator, which is a filter envelope that accentuates certain sounds. Similar to working with audio in Ableton, the slice tool pictured 4th from the right allows you to chop audio into different components that can be rearranged, like a collage.
Simply click and drag with the tool selected to cut a piece of audio into two. Now you can treat each slice like its own sample, adding fades, stretching, changing pitch and adding envelopes. Here are some resources explaining the processs of sampling in other popular DAWs:. In summary, there are 3 court cases in the US that have given 3 separate precedents for how sampling should be treated, which makes it very confusing and contradictory.
However, the second case argues that only if it is substantially similar, then it constitutes copyright infringement. Confusing, right? These cases could develop in years to come, and are always open to change with changing laws and new sampling controversies.
Regardless of whether you are in the US or not, there are a lot of similarities between the courts in Western countries. That being said, before proceeding with releasing tracks containing a sample, you should do the research to make sure your country has similar laws. A lot of DAWs come included with a variety of royalty-free samples and loops for you to use however you want.
If you are sampling full songs, the best thing to do would be to look for music that has a Creative Commons or a license that allows for use in commercial recordings.
There is a difference between using the song and modifying the song, so make sure to read the license carefully and make sure you have the right permissions to do so.
Sampling is a boundless art from that, like music production in general, has endless possibilities. This has no FX on it. Using one sample in a track can be a great way to come up with a cool result, but combining multiple sources works especially well, mostly when sampling other completed music. You get to hear sounds together that were never intended to be heard like that. The same principle applies when sampling — you can pitch chops or samples up or down to come up with a unique phrase.
Take this example here from before.
0コメント